Thursday, April 19, 2012
Wednesday, April 11, 2012
Acting Reference #61
Here's a clip from one of my favorite movies The Thin Red Line. His reaction to the letter is very believable and this is great reference for pantomime animation. You could very easily mute the audio and still understand what he is feeling.
Monday, April 9, 2012
Thursday, April 5, 2012
Anim: Oka Free Running
Here's an animation I did for work. Took about 6 work days to complete and another 3 or 4 days of planning before I started. I also included a progression reel. Definitely things I could fix, but for the length of the shot and the amount of time I had, I'm happy with the result. Model by John DeRiggi, Rig by Brian Evans, Environment by Kwame Babb & Justin DeVore, Character Concept by Ben Chaney
Tuesday, April 3, 2012
Acting Reference #60
Here's a scene from The Girl With The Dragon Tattoo. I feel Rooney Mara gave easily the best female performance of last year, so if you haven't seen this check it out & if you have congratulations you get a prize*. I first wanted to talk about the finger point the man does at the beginning of the shot. It has a lot of character and is very interesting. We're often told to avoid "cliche" acting choices (like finger points) but I feel you can still use them them if you push them to become more appealing. The pose of his arm and especially the timing of the move give it a lot of appeal/interest.
I also wanted to mention how you can use body language and posture to let the audience know what a character is feeling. The girl obviously doesn't want to be in this situation and isn't comfortable talking to these people. You understand this because of her body language, her slow pace, lack of eye contact, slouching. Telling this in a subtle way is way more powerful that given her a line of dialogue stating that she doesn't want to be there.
*no prizes will actually be given
I also wanted to mention how you can use body language and posture to let the audience know what a character is feeling. The girl obviously doesn't want to be in this situation and isn't comfortable talking to these people. You understand this because of her body language, her slow pace, lack of eye contact, slouching. Telling this in a subtle way is way more powerful that given her a line of dialogue stating that she doesn't want to be there.
*no prizes will actually be given
Thursday, March 22, 2012
Monday, March 19, 2012
Wednesday, March 14, 2012
Thursday, March 8, 2012
Monday, February 27, 2012
Thursday, February 23, 2012
Wednesday, February 22, 2012
Acting Reference #59
Here's a nice clip from the movie Drive (one of the best films of 2011) Bryan Cranston's character is cleaning a car part while he delivers his dialog, which is a great example of a secondary action. Giving your character something to do while they talk will make the shot feel much more natural. I also like the subtle flirting that's going on between Ryan Gosling & Carey Mulligan.
Acting Reference #59 from Kyle Kenworthy on Vimeo.
Acting Reference #59 from Kyle Kenworthy on Vimeo.
Monday, February 20, 2012
Friday, February 17, 2012
Friday, February 10, 2012
Monday, February 6, 2012
Friday, February 3, 2012
Tuesday, January 24, 2012
Acting Reference #58
I wanted to show this clip because I think this movie had the best performance of 2011. This is Michael Shannon in Take Shelter. Its really sad because he hasn't received hardly any award recognition. He gives a performance that is both heartbreaking and terrifying. In this clip, I love the little mouth twitch he does right after she asks him how he is going to pay for that. Its a great nervous tick and makes you feel there's a lot going through his mind. Great movie with great performances,check it out!
Acting Reference #58 from Kyle Kenworthy on Vimeo.
Acting Reference #58 from Kyle Kenworthy on Vimeo.
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